Synopsis:
In 1953, an American film crew arrives in a small English village to shoot a historical drama. When a woman is poisoned at a cocktail party held in honor of the movie’s main star (Dame Elizabeth Taylor, Cat on a Hot Tin Roof), a Scotland Yard detective asks (Edward Fox, The Day of the Jackal) his aunt, Miss Marple (Dame Angela Lansbury, The Picture of Dorian Gray), to help him solve the baffling crime.
Reaction & Thoughts:
“I’m here about a minor matter of murder.”
Having struck gold with a couple of Agatha Christie movies, Sidney Lumet’s Murder on the Orient Express (1974) and John Guillermin’s Death on the Nile (1978), British producers John Brabourne (Franco Zeffirelli’s Romeo and Juliet) and Richard Goodwin (David Lean’s A Passage to India) decided to strike while the iron was hot.
Brabourne and Goodwin’s The Mirror Crack’d was meant to launch a series of movies featuring Christie’s sleuth Miss Marple, but the film underperformed at the box office and that was it. The cast, mostly composed of older actors, was to blame for low ticket sales. But that’s exactly why the movie is fun to watch — it’s really cool to see ’50s movie stars in a story that revolves around the film industry in the ’50s.
Based on Christie’s 1962 novel The Mirror Crack’d from Side to Side, The Mirror Crack’d is more low-key than Brabourne and Goodwin’s previous Christie adaptations, but that doesn’t mean the film lacks entertainment value. The movie is delightfully self-aware: The story begins with Miss Marple attending a screening of a murder-mystery, and this sequence cleverly alludes to the meta aspects of this fun whodunit.
The movie’s self-mocking attitude perfectly complements its uncomplicated plot. “The whole thing is really quite simple, isn’t it?,” the cunning Miss Marple declares, and she’s absolutely right. You don’t have to be good at solving puzzles to figure out who the killer is, or why he/she committed murder. British director Guy Hamilton — of Diamonds Are Forever (1971) fame — doesn’t do much to hide the clues, either.
Even if you get ahead of Miss Marple, there is a good chance that you’ll enjoy the movie’s endless jabs at old Hollywood. People well versed in film history, in particular, will immediately notice the inspiration for each character — it’s clear that Christie modeled the fictional characters after real-life Hollywood wheelers and dealers. And judging from the tongue-in-cheek performances, I’m sure the actors were in on the joke.
Speaking of the actors, I was happy to see that Dame Angela Lansbury avoided the comical Jane Marple made popular by Dame Margaret Rutherford in four British movies. While not as good as Joan Hickson (my favorite Marple), Lansbury does a fine job here, a sort of “dress rehearsal” for Lansbury’s sleuth Jessica Fletcher in the hit TV series Murder, She Wrote — Miss Maple and Fletcher are sisters under the skin.
Elizabeth Taylor, in her last lead role in a theatrical movie, is great as an actress attempting a comeback. Taylor has, of course, great chemistry with Giant (1956) co-star Rock Hudson, who plays Liz’s protective husband. Kim Novak (Vertigo) is hilarious as Taylor’s old nemesis — Novak and Taylor exchange witty insults! Tony Curtis (The Defiant Ones) plays a movie mogul, Geraldine Chaplin (Doctor Zhivago) plays Hudson’s assistant, and in a bit part, Pierce Brosnan (GoldenEye).
Conclusions & Final Thoughts:
After reading some scathing reviews (Chicago critic David Kerr referred to the film’s direction as “unbelievably slack and monotonous”), I didn’t expect to like The Mirror Crack’d as much as I did. Although nowhere near as good as Murder on the Orient Express and Death on the Nile, The Mirror Crack’d nevertheless has plenty to offer to all whodunit aficionados in general. Color, 105 minutes, Rated PG.
Theatrical Trailer:
This is one Agatha Christie novel movie adaptation I haven’t seen yet. I don’t think any station anywhere ever shows it, gonna keep looking though. Angela Lansbury was an excellent choice for Miss Marple, this is kind of like a precursor to her role as Jessica Fletcher in Murder, She Wrote.
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Lansbury is very good. She obviously read the book.
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This is one of those movies that I saw and I totally forgot that I saw, lol!
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I remember the opening of it with Angela Lansbury making her great intro as Miss Marple. Strangely I didn’t see the whole thing. I ought to some time.
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“Strangely I didn’t see the whole thing.” It sounds like you didn’t like it.
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It’s not that I didn’t like it. I think I was just flipping through channels at the time. But I have always liked Angela Lansbury.
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If you live long enough, you start forgetting details about the movies you watch. Not long ago, I re-watched In the Heat of the Night (1967) and I couldn’t remember who the killer was! It was like watching it for the first time! LOL!
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It’s astonishing sometimes how we can be suddenly reminded of a great movie or TV episode moment when we view it again after so long. It can feel healthy if it can help us to remember it now with a much better understanding. Certainly where a mystery movie’s revelation is concerned.
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Plus life experiences can give you a fresh perspective on a movie. For example, when Ordinary People came out, I definitely identified with the son. However, now that I’m much older, I understand the parents much better.
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Same for me now that I’m in my early 50s and looking back on so many movies, TV shows too, with an even better appreciation.
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My Mom and I went to see this when it was released, and I remember liking it…and funny how, back then, these weren’t ‘old time’ actors to me, but just actors of the time! Taylor, Hudson, Curtis…they were all still alive and still working. I’d forgotten all about this film, too, until seeing your notification signaling your review; I wonder how many other good movies are out there I saw as a kid, and have now forgotten about. (Umm…lots?) Happy New Year, Eric!
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I don’t think we were as youth-oriented as we are now. I remember watching many movies with Peter Cushing and Christopher Lee and never thinking they were older than my parents.
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Same with me now that I think about it.
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This looks like great fun, Eric! Adding it to the must-see list. Thanks for the review!
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Thanks for stopping by! Wishing you a year loaded with happy things and great reviews!
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Thank you, Eric, for all your reviews on 2021 and Happy New Year.
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Thanks, Eric! The very same to you!
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This was a favorite of my dad and I, up there Somewhere in Time and Max Dugan Returns–movies people would probably scratch their heads at and say, “Huh?” lol
I did a blog once on the topic of age in movies, how they used to have “real adults,” but nowadays 20-year-olds are nuclear scientists and CEOs, etc. Ah, the good old days….
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I need to put you on my Xmas list! You just mentioned a few of my favorite ’80s movies. I adore Somewhere in Time (I instantly became a Rachmaninoff’ fan) and Max Dugan is one of my favorite Neil Simon movies. But, yes, ageism is here to stay. Remember when On Golden Pond and Driving Miss Daisy became blockbusters? Those days are over.
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This is a crazy turn of events, just watched this yesterday and you have reviewed it… just hoping you will join this, now back after reading your review, you are cordially invited to join… https://weegiemidget.wordpress.com/2021/12/27/wilhelm-scream-blogathon-2022/
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Thanks!
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Looking forward to seeing what you come up with…
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Loved your take on this film, it was such a fun movie and everyone is hamming it up big time. I DID adore this all star cast, its a shame they didn’t continue as a series they could have been like those then newly defunct Airport movies bringing back those all star cast films…
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Agreed. It would have been fun to see more adaptations!
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Especially if Angela Lansbury was Marple, I did love her in this role…
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That is hilarious. I didn’t think ANYONE knew about Max Dugan except me and my dad !! lol
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