Synopsis:
A precocious teenage girl, played by Annabeth Gish (Hiding Out and Mystic Pizza), recalls growing up in Nevada (USA) during the 1950s.
Reaction & Thoughts:
This coming-of-age drama doesn’t reinvent the wheel, but thanks to a terrific cast, it all ends with an emotional wallop. Nicely directed by Eugene Corr (co-writer of the 1997 biopic Prefontaine), Desert Bloom is a heartwarming and perceptive indie production where the actors bring each and every character to life flawlessly.
The setting is Nevada in the 1950s, around the time the government was conducting nuclear tests in the area. Even though that aspect of the movie is intriguing, I was more invested in the angsty heroine and her colorful family. The characters are engaging, and the story explores universal themes that transcend time and place.
In her first lead role in a feature length movie, 15-year-old Annabeth Gish is simply enchanting. She is superb, and pretty much steals the show! Gish never became a big star, but she is always a pleasure to watch. The entire movie revolves around her, and newcomer Gish carries herself like a seasoned professional.
Another standout performance is delivered by Jon Voight (Midnight Cowboy), who plays Gish’s alcoholic stepdad. At first glance, the stepdad comes across as a moody drunk, but there is much more to the character than meets the eye. Voight brings out the hidden aspects of the character’s complex personality beautifully.
JoBeth Williams, so good as the fierce mom in the horror classic Poltergeist (1982), reminds us once again that she is great at playing interesting movie moms — Williams knocks it out of the park as the family matriarch. Ellen Barkin (The Adventures of Buckaroo Banzai) is terrific as Gish’s flaky Aunt. Also with Allen Garfield (Nashville) and Jay Underwood (The Boy Who Could Fly) (film debut).
Conclusions & Final Thoughts:
Desert Bloom follows the coming-of-age movie formula to a T. It isn’t very original, but it’s a really nice little movie. It does a good job explaining why we sometimes need to make peace with the past in order to have a healthy and happy life. The entire cast is fantastic, and the characters are relatable despite the fact that this is a period piece. Narrated by Christine Lahti (Swing Shift). Color, 105 minutes, Rated PG.
VHS Promo:
Pingback: Lisa Marie’s Week In Review: 4/1/24 — 4/7/24 | Through the Shattered Lens·
Thanks for the review. Didn’t know too much about it. Liked Annabeth Gish in ‘Wyatt Earp’ and ‘The X Files’. She was very cute if tragic in the former.
LikeLiked by 3 people
She was very good indeed in Desert Bloom, a film I remember seeing many years ago and I especially remember its quite dramatic finale as the family behold the A bomb test. Thank you, Eric, for your review.
LikeLiked by 2 people
It would make a nice double feature with Oppenheimer (2023)… 😉
LikeLiked by 1 person
Hey Chris Evans, it is me John, a regular on Eric Binford’s site 🙂 I just left a reply under yours regarding the discussion of Hitchcock under that Road to Morocco review entry. Once again, sorry for the late response 🙂
LikeLiked by 2 people
Appreciate your response. Always enjoy discussing the movies!
LikeLiked by 3 people
You are quite welcome 🙂 Speaking of Hitchcock and I think I said this under one of the replies in that Road to Morocco entry, I posted an essay on Vertigo last week on my website If you are interested in reading it 🙂
LikeLiked by 2 people
Will have to check it out. Thanks! Always enjoy reading about Hitch.
LikeLiked by 3 people
I do like the sound of this film , great discovery!
LikeLiked by 2 people
It’s a nice little family drama. 🙂
LikeLiked by 2 people
I just saw her in Mystic Pizza where she gets together with – and correct me if I am wrong in the actor here as only seen the first episode – Robert Foxworth’s son in Falcon Crest.
LikeLiked by 2 people
Oh, I didn’t realize it was the same actor!!! [shocked]
LikeLiked by 2 people
I had to Imdb him when I watched Mystic Pizza, as I knew his face from somewhere – it was only then I made the Falcon Crest connection.
LikeLiked by 2 people
Jon Voight, particularly just after Runaway Train, was very well cast as the abusive yet not unredeemable-in-the-end husband and stepfather.
LikeLiked by 2 people
Voight was a superb anti-hero in Runaway Train! In fact, he could play both hero and villain. Love him as the loving dad in Table for Five.
LikeLiked by 1 person
I think it was his role as Ed Gentry in Deliverance that gave me the best appreciation for that.
LikeLiked by 2 people
Deliverance was my first Voight movie. Later, I watched The Champ (1979) and Midnight Cowboy (1969). I was really impressed by his versatility.
LikeLiked by 1 person
My first with Voight was End Of The Game (1975).
LikeLiked by 2 people
Oh, I thought I was the only person who had seen End Of The Game! It used to play on TV all the time (the late late show). It kinda disappeared… I remember being surprised to see director Martin Ritt play a key role.
LikeLiked by 1 person
I first saw it when I was a kid and then finally again decades later thanks to a movie site somewhere. I was quite surprised by the ending which helped me to enjoy being surprised by endings for several movies.
LikeLiked by 2 people
There was also The Champ for me. Quite a tearjerker when I was a kid.
LikeLiked by 2 people
Champ was indeed very sad (sadder than the 1931 version). Table for Five (1983) was another Voight movie that made me tear up.
LikeLiked by 1 person
Always thought interesting in 2001 when he played FDR and Howard Cosell. Under the makeup it was hard to tell it was him but he was striking in both.
LikeLiked by 2 people
Voight is a very lucky actor. I’ve noticed that he was second or third choice for Deliverance, Midnight Cowboy, Coming Home, etc.
LikeLiked by 1 person
Yes interesting that. I also liked his character role in ‘Heat’, excellent work there. He was so versatile as you say able to play an evil Nazi putting down the Warsaw Ghetto uprising in 2001’s ‘Uprising’ and then later being a convincing Pope John Paul II.
LikeLiked by 2 people
I think he received some flack for how he played Jim Phelps in Mission: Impossible because he made an established hero from the original show into a villain for the movie.
LikeLiked by 2 people
I’ve enjoyed all the Mission: Impossible movies (I even like #2, which for whatever reason gets a bad rap), but I do find it a little annoying that they turned the original idea into a star vehicle for Cruise. I much prefer the TV show because it was an ensemble acting piece.
LikeLiked by 1 person
From what I’ve seen of the original series, Mission: Impossible indeed works better as an ensemble piece.
LikeLiked by 2 people
Great review Eric 🙂 Sounds like an interesting film 🙂 I may need to check this one out 🙂
LikeLiked by 2 people
YouTube has a semi-decent copy:
LikeLiked by 2 people