Synopsis:
In Morocco, an American drifter (Bing Crosby, The Country Girl) sells his best friend (Bob Hope, The Facts of Life) for food, only to regret his decision. The guilt-ridden drifter looks for his friend and is shocked to find him living in a palace and courting a beautiful Princess (Dorothy Lamour, The Greatest Show on Earth).
Reaction & Thoughts:
“You’re in Africa now. Strange things happen here.”
The third movie in the “Road to…” franchise doesn’t show any signs of fatigue. Road to Morocco is in fact my favorite movie in the series, so far. It’s a masterpiece of sheer lunacy. It doesn’t follow any story-telling rules. Logic gets thrown out of the window, and that makes the film endearingly loopy and hysterically funny.
Even though the script is credited to Frank Butler (Going My Way) and Don Hartman, I had this gut feeling that the best gags were improvised by Bing Crosby and Bob Hope. Whether I’m right or not, you often get the impression that Crosby and Hope are making things up as they go, and that’s precisely why the film is a blast.
Road to Zanzibar (1941) satirized jungle movies. Road to Morocco makes fun of Arabian desert movies. Crosby and Hope really step up their game. Hope is Hope, but I was surprised to see Crosby act so goofy. He is a riot, and Hope, perhaps sensing that his costar was stealing the show, seems to try harder than ever before — it’s fun seeing the charismatic actors fight each other for the viewer’s attention!
It should be noted that Crosby and Hope play adversaries here. Gone is the sweet friendship you saw in the first “Road to…” movie, the charming Road to Singapore (1940). The bromance is over, and the relationship is best described as frenemies. Dorothy Lamour is, as usual, letter-perfect as the target of the boys’ affections.
Anyhow, everything but the kitchen sink is thrown at the audience. Some of the best moments include a rowdy camel, a couple of talking mules, a wonderfully self-referential title song, and a hilarious joke aimed at the Academy Awards (Oscars). And Crosby and Hope break off the fourth wall constantly and imprudently.
Conclusions & Final Thoughts:
Fast-paced and unabashedly silly, Road to Morocco never runs out of jokes — there is nothing this movie won’t do for a good laugh. And I feel weird for saying this, but I’m going to say it anyway: Because we have lost the ability to laugh at ourselves, this admittedly childish and wacky 80-year-old-plus movie is edgier than most Hollywood comedies made today. B&W, 82 minutes, Not Rated.
Theatrical Trailer:
I too feel that Road to Morocco is the strongest entry in the Hope and Crosby comedies 🙂 Anyway, I just posted an essay on my blog about my number one favorite film of all-time, which is Vertigo in case you are interested 🙂
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“I just posted an essay on my blog about my number one favorite film of all-time, which is Vertigo in case you are interested.”
Oh, yes! I’ll read it tonight. Vertigo is my favorite movie of all-time, as you probably know. I’m obsessed with it. [wink]
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Can’t wait to hear your thoughts Eric 🙂
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‘Vertigo’ is tops! Love the luscious colors on the Blu. Such a dreamlike state is created watching it. Kim Novak in your living room (not a bad thing mind you!).
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Sorry for the late reply Chris Evans 🙂 So glad to hear that you love Vertigo as well :) It is very dreamlike and yes, I love Kim Novak 🙂
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Yes definitely one of the greats. I really appreciate it in so many ways now.
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Fantastic Chris 🙂 Speaking of which, I wrote an essay of it on my site 🙂
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That is so awesome to hear Eric that Vertigo is your number one favorite film of all-time too 🙂
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If I had a favorite Hitchcock film, it would probably be Rope. I thought it had a great deal to say for its time and still does.
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I think mine is ‘Rear Window’ which I love dearly (and not just because of the divine Grace Kelly). I just enjoy how it enfolds over and over again each time I view it.
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Rear Window is definitely one of Hitch’s best. BTW, I’m about to rewatch it. Review coming soon… 😉
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Great! Look forward to it. I meant to say unfolds but I suppose the audience is enfolded too watching the film.
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Rear Window is a popular choice as well Chris Evans 🙂 In many ways, it is Hitchcock’s most self-referential film given that it serves as a metaphor for watching a film – the idea of somebody watching his neighbors with a scope 🙂
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Yes I am utterly fascinated by it. I love that look on Stewart’s face in reaction to the exertions of the newlyweds. So many moments that register long in the memory like that.
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I nod in agreement with your sentiments Chris 🙂
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Stewart is brilliant in Window. He is essentially a reactive performance, and he’s great at acting with his face.
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Rear Window, Vertigo, Notorious, Psycho, etc. Not other director has made so many great movies! 🙂
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Rope? That’s interesting! My wife loves that one. 🙂
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Sorry for the late response scifimike70 🙂 Rope is an interesting choice and Hitchcock would experiment with the long take again a year later with Under Capricorn.
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Thanks, John, for that info. 👍🏻
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You are quite welcome 🙂
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