Two hit-men kill a couple, kidnap their kid, and take the child on a long road trip to meet the mafiosos who ordered the hit.
Reaction & Thoughts:
From the moment the two assassins walk into an isolated farmhouse and brutally kill everyone in sight, Eric Red’s rabid, mean-spirited neo-noir Cohen and Tate asks the viewers to fasten their seatbelts because they are about to embark on a no-holds-barred journey through the dark underbelly of society.
Screenwriter Red (Near Dark and The Hitchhiker), who made his directorial debut here, seems to be paying tribute to the minimalist film noirs of yesterday, a sort of homage to Born to Kill (1947), The Narrow Margin (1952), etc.
The film is blessed with terrific dark humor. Cohen and Tate is very funny, albeit in a sly kinda way. The movie also uses the child-in-peril plot device in an intelligent manner. The film generates enormous suspense precisely because you are convinced that the kid could be killed at any given moment.
Adam Baldwin (My Bodyguard) is the psychotic young assassin and Roy Scheider (Jaws) is his partner, a veteran and cold-blooded hit-man. They are killers who disagree on almost everything. This ain’t yin vs yang; it’s more like young yin vs old yin. I particularity liked how the film resisted the temptation of redeeming the main characters — the killers are very bad people from beginning to end.
Scheider is wonderful as the world-weary killer. This is perhaps his last great performance. It’s a welcome return to his pre-Jaws career — Scheider started out playing morally dubious characters in films like Stiletto (1969) and Klute (1971). Baldwin’s cockiness contrasts perfectly with Scheider’s “old-school” thinking. Harley Cross (Mrs. Soffel and The Believers), who plays the kid, is very good too.
Conclusions & Final Thoughts:
Cohen and Tate isn’t as polished as Quentin Tarantino’s Reservoir Dogs (1992) or Tony Scott’s True Romance (1993), but it is quite satisfying. The dialogue is razor-sharp and the situations are very suspenseful. Highly recommended to (neo)noir fans! Color, 86 minutes, Rated R.