Atlantis: The Lost Continent (1961)

Atlantis, the Lost Continent (1961)


Thousands of years ago, a poor fisherman (Anthony Hall, Goodbye, Norma Jean) helps a young woman (Joyce Taylor, Twice-Told Tales) return to her country, the mythical land of Atlantis. He is, however, immediately enslaved by the Atlantis government. The fisherman responds by leading a slave revolt against the government.

Reaction & Thoughts:

“I’m going home. And no law will hinder me.”

Atlantis: The Lost Continent is probably the least known, and quite possibly, the worst of the five feature-length films producer extraordinaire George Pal (The Time Machine) directed. Daniel Mainwaring’s (Don Siegel’s 1956 Invasion of the Body Snatchers) script is the main culprit here — the story isn’t all that engaging.

Loosely based on British author Sir Gerald Hargreaves’s 1948 fantasy stage play Atalanta: A Story of Atlantis: A Fantasy with Music, Mainwaring’s screenplay is too hokey even for a movie of this type. Producer-director Pal seems only interested in destroying things and little attention is paid to the story and characters.

For example, the love story is treated contemptuously, which is really too bad because the movie is in desperate need of an emotional hook — you are, unfortunately, left with no one to root for during the endless scenes of carnage and mayhem. Disaster movies always work best when you are emotionally invested in the characters.

The visual and sound effects run hot and cold. I liked most of the miniature work. The actual volcanic explosion, mostly the work of the team responsible for the Oscar-winning visual effects on Pal’s The Time Machine (1960), is pretty good. But it’s hard for me to forgive Pal for cutting corners: many shots were taken directly from Metro-Goldwyn-Mayer’s 1951 biblical epic Quo Vadis.

Futhermore, Pal shamelessly and clumsily reuses props from countless old MGM productions like The Prodigal (1955), Forbidden Planet (1956), Ben-Hur (1959), etc. The whole thing gives you an acute case of deja vu! The make-up is awful too — the half-man/half-beast creatures are laughable.

Conclusions & Final Thoughts:

Atlantis: The Lost Continent is definitely minor George Pal. The film is a few inches away from one of those cheesy Italian-made Hercules movies of the 1960s. For whatever reason Pal, the great innovator, decided to take the easy route and it shows — I guess everybody stumbles once in a while. Color, 90 minutes, Not Rated.

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