Teenager Nancy Thompson (Heather Langenkamp, Shocker) and her High School friends are having nightmares about a disfigured psychopath named Freddy Krueger (Robert Englund, The Mangler). When one of the teenagers dies in her sleep, Nancy realizes that Krueger has the ability to enter your dreams. She sets out to find a way to stop the vicious killer.
Reaction & Thoughts:
“One, two, Freddy’s coming for you. Three, four, better lock your door … “
It’s hard to believe that it has been thirty years since A Nightmare on Elm Street, written and directed by Wes Craven, was released into theaters. Freddy Krueger has become such a pop culture icon that I often forget that the first film is such a sober, restrained affair. It was a hit, but most of us fell in love with the movie via Home Video. It has flaws, but it’s still Craven’s best film to date. It is both scary and highly imaginative — one of the best supernatural slashers of the 1980s.
Craven does for bedtime, what Hitchcock did for showers (Psycho), Spielberg did for the beach (Jaws), and De Palma did for elevators (Dressed to Kill). He took something familiar and turned it into the setting of blood-curdling terror. Part of what makes the movie effective is that Craven holds back as much as possible and allows the audience’s imagination to fill in the holes. That’s why when he finally goes over the top it is quite shocking.
I love Langenkamp’s performance. She looks and acts like a real young person. She is not one of those superficial Barbie Doll-like heroines who often appear in these types of movies. Ronee Blakley’s (Nashville) performance — she plays Langenkamp’s mom — is deliciously campy. I’m not sure if it was intentional or not, but Blakley’s character comes across as a parody of Blanche DuBois. Englund’s monster is an ominous agent of cruelty. The actor is clearly enjoying himself. The cast also includes John Saxon (Enter the Dragon) and Amanda Wyss (Silverado). Johnny Depp’s film debut.
Charles Bernstein’s haunting music score is one of my favorite elements in the film. It’s simple yet it gets under your skin. Some of the visual effects are really inventive and creepy — they’re more effective than the CGI stuff you see nowadays. The atmospheric cinematography is by Jacques Haitkin.
Conclusions & Final Thoughts:
A Nightmare on Elm Street is still one of the most imaginative horror films of the 1980s — a bona fide classic. Color, 91 minutes, Rated R.
Followed by A Nightmare on Elm Street Part 2: Freddy’s Revenge (1985)